Seeking tech-savvy Volunteers based in the United States of America showing strong competency, devotion and genuine care for the purpose of Arts and Culture, Education and Nonprofit Management. Qualified applicants should be willing to commit to at least 10hrs of remote work monthly.
Please note that this is a remote position and Volunteers will work directly with AWB Management and Teaching Artists. Confidentiality agreement is required for this job.
To apply please email your BIO / introduction outlining your computer skills and your current availability. Please email Contact@ArtWithoutBordersNYC.org and include “Volunteer” in the subject line. No phone calls please.
Application Deadline: November 1, 2020. Note: Immediate Opening.
Art Without Borders, Inc. is a not-for-profit organization with a mission to inspire and expand students’ and educators’ imaginations through the arts and through cultural experiences. AWB aims to provide opportunities for engagement with the arts on multiple platforms to diverse audiences, both domestically and internationally.
Live-streamed on Zoom: includes classic barre, three (3) combinations with Individual corrections and Q & A.
$25 per student / workshop
Wendy Whelan, widely considered one of the world’s leading dancers of her generation, began dance lessons at the age of three in her hometown of Louisville, Kentucky. Whelan began intense professional training at the Louisville Ballet Academy. She was accepted to the summer program of the School of American Ballet at age 14; a year later, she moved to New York to continue her studies there full-time. In 1984, she was named an apprentice with New York City Ballet and joined the corps de ballet a year later.
Wendy Whelan went on to spend 30 years at New York City Ballet, dancing virtually all the major roles. She was promoted to Soloist in 1989 and to Principal dancer in 1991.
Ms. Whelan has been a guest artist all over the world. She received the Dance Magazine Award in 2007, and in 2009 was given a Doctorate of Arts, honoris causa, from Bellarmine University. In 2011, she received both The Jerome Robbins Award and a Bessie Award for her Sustained Achievement in Performance.Since 2013, she has been developing and touring her own independent projects. Her inaugural project, Restless Creature broke down boundaries between interdisciplinary dance forms. She remains committed in her work to opening up creative conversations and developing unexpected collaborations through dance.
In February 2019, Ms. Whelan marked a return to New York City Ballet when she was appointed Associate Artistic Director of the Company.
*All ages and dance levels welcome, please contact AWB via email at: education@artwithoutbordersnyc.org
$25 single class | $112.50 subscription package of five (5) classes | $225 package of ten (10) classes | $350 package of twenty (20) classes | 60-min. session via Zoom**
Note: Book any subscription package (5, 10 or 20 classes) and combine any class / teaching artist until the end of 2020. Please inform AWB with your specific preferences. Take daily classes (part of your subscription) and join us even last minute with only one condition: email AWB no later than 24 hours prior to the class start time. Students registered to attend 5+ virtual classes are able to apply to AWB Mentorship program.
Megan Fairchild is a principal dancer with the New York City Ballet. She was born in Salt Lake City, Utah, and began her dance training at the age of four, at Dance Concepts in Sandy, Utah, and at the Ballet West Conservatory in Salt Lake City. She moved to New York City to train at the School of American Ballet, the official school of the New York City Ballet, in 2000, and was hired as an apprentice with NYCB the following year. Ms. Fairchild was promoted to the rank of soloist in 2004, and to principal in 2005.
Ms. Fairchild’s expansive repertoire with New York City Ballet includes principal roles in classical full-length ballets such as Swan Lake, Coppelia, Sleeping Beauty and La Sylphide, as well as principal roles in ballets choreographed by George Balanchine, Jerome Robbins, Peter Martins, and Alexei Ratmansky. She was featured as the Sugar Plum Fairy in the 2011 telecast of George Balanchine’s The Nutcracker streamed in movie theaters worldwide.
In 2014 she made her Broadway debut as Miss Turnstiles in the revival of On the Town, for which she was nominated for an Outer Critics Circle Award and received a Theatre World Award for Outstanding Broadway debut.
In addition to performing full time with the New York City Ballet, Ms. Fairchild is currently a teaching fellow with the School of American Ballet.
*All ages and dance levels welcome, please contact AWB via email at: education@artwithoutbordersnyc.org
**Zoom link and password provided upon registration
Ashley Laracey was born in Sarasota, Florida. She began her dance training at the age of five with Cheryl Carty and Christine White at the Carty Academy of Theater Dance in Bradenton, Florida. At age 12, she began training with Pavel Fomin, Diane Partington, and Isabel and Javier Dubrocq at Sarasota Ballet of Florida. She continued her studies at age 15 with Victoria Schneider, Olivier Pardina, and Svetlana Osiyeva at the Harid Conservatory in Boca Raton, Florida.
Ms. Laracey entered the School of American Ballet (SAB), the official school of New York City Ballet, in the fall of 2001. In October 2002, Ms. Laracey became an apprentice with New York City Ballet, and in February 2003 she joined the Company as a member of the corps de ballet and was promoted to soloist in February 2013.
Ms. Laracey has danced many featured roles in George Balanchine, Peter Martins, Jeorme Robbins, Troy Schumacher, Justin Peck and Christopher Wheeldon.
Ms. Laracey is on the board of Balletcollective, an arts collective, and also teaches movement therapy to children and young adults with disabilities, specifically Cerebral Palsy.
FEATURED ROLES SINCE JOINING NYCB
GEORGE BALANCHINE
Agon
Ballo della Regina
Coppélia (Spinner)
Cortège Hongrois
Concerto Barocco
Divertimento No. 15
“Emeralds” from Jewels
Firebird
The Four Temperaments
Ivesiana (Central Park in the Dark)
La Sonnambula (The Coquette)
Liebeslieder Walzer
A Midsummer Night’s Dream (Hermia)
George Balanchine’s The Nutcracker® (Sugarplum Fairy, Dewdrop, Marzipan, Coffee, Flowers)
Raymonda Variations
Robert Schumann’s “Davidsbündlertänze”
Scotch Symphony
The Sleeping Beauty (Lilac Fairy)
Stravinsky Violin Concerto
Swan Lake
Symphony in C (Fourth Movement)
Symphony in Three Movements
Tschaikovsky Piano Concerto No. 2
Tschaikovsky Suite No. 3 (Valse Mélancolique)
Union Jack
La Valse
PETER MARTINS
Ash
Bal de Couture
The Infernal Machine
Mirage
Sinfonia
Songs of the Auvergne
The Sleeping Beauty (Lilac Fairy, Tenderness, Generosity, Ruby)
Swan Lake (Pas de Trois, Pas de Quatre, Princess)
JEROME ROBBINS
2 & 3 Part Inventions
Antique Epigraphs
The Concert
Fanfare (Harp)
The Four Seasons (Summer)
Glass Pieces
The Goldberg Variations
Interplay
Moves
N.Y. Export: Opus Jazz
LYNNE TAYLOR-CORBETT
Chiaroscuro
CHRISTOPHER WHEELDON
Klavier
We are excited to welcome Ashley Laracey to our Mentorship Program. Pre-registration is now open. Please submit your request here.
