AWB Virtual Program: Ballet Classes in Balanchine technique with Megan Fairchild, Principal Dancer with the New York City Ballet

Megan Fairchild The Sleeping Beauty Act I | New York City Ballet | Choreography by Peter Martins | Photo © Paul Kolnik

Intermediate-Advanced level students*

REGISTER ONLINE

Fridays at 1:00pm EST: 7, 14 August

$25 single class | $112.50 subscription package of five (5) classes | $225 package of ten (10) classes | $350 package of twenty (20) classes | 60-min. session via Zoom**

Note: Book any subscription package (5, 10 or 20 classes) and combine any class / teaching artist until the end of 2020. Please inform AWB with your specific preferences. Take daily classes (part of your subscription) and join us even last minute with only one condition: email AWB no later than 24 hours prior to the class start time. Students registered to attend 5+ virtual classes are able to apply to AWB Mentorship program.

Megan Fairchild is a principal dancer with the New York City Ballet. She was born in Salt Lake City, Utah, and began her dance training at the age of four, at Dance Concepts in Sandy, Utah, and at the Ballet West Conservatory in Salt Lake City. She moved to New York City to train at the School of American Ballet, the official school of the New York City Ballet, in 2000, and was hired as an apprentice with NYCB the following year. Ms. Fairchild was promoted to the rank of soloist in 2004, and to principal in 2005.

Ms. Fairchild’s expansive repertoire with New York City Ballet includes principal roles in classical full-length ballets such as Swan Lake, Coppelia, Sleeping Beauty and La Sylphide, as well as principal roles in ballets choreographed by George Balanchine, Jerome Robbins, Peter Martins, and Alexei Ratmansky. She was featured as the Sugar Plum Fairy in the 2011 telecast of George Balanchine’s The Nutcracker streamed in movie theaters worldwide.

In 2014 she made her Broadway debut as Miss Turnstiles in the revival of On the Town, for which she was nominated for an Outer Critics Circle Award and received a Theatre World Award for Outstanding Broadway debut.

In addition to performing full time with the New York City Ballet, Ms. Fairchild is currently a teaching fellow with the School of American Ballet.

*All ages and dance levels welcome, please contact AWB via email at: education@artwithoutbordersnyc.org

**Zoom link and password provided upon registration

Ballo della Regina | New York City Ballet | Photo © Paul Kolnik

AWB Virtual Program: Series of classes in Balanchine technique with Indiana Woodward, Soloist with the New York City Ballet

Photo © NYC Dance Project

TUNE-IN on Wednesday, July 1st at 2:00pm EST for Instagram Live Ballet Class with Indiana Woodward, introducing AWB Virtual program.

Follow @indiana_woodward | @ArtWithoutBordersNYC 

SCHEDULE: Wednesday, July 1st at 2:00pm EST Instagram Live (free-event) Fridays at 11:30am EST: 10, 17, 24, 31 July | more dates to be announced soon | Intermediate-Advanced level students*

REGISTER ONLINE

$15 single class | $68 package of five (5) classes | $140 package of ten (10) classes | 60-min. session | virtual class via Zoom Live**includes classic barre and technique with individual corrections.

Note: students registered to attend 5+ virtual classes are able to apply to AWB Mentorship program. Package of ten (10) classes allows combination of two (2) different teachers with five (5) classes each, part of AWB Virtual Program Summer – Fall 2020.

BIO

Born in Paris France, Indiana Woodward’s earliest memories are of watching ballet class and being backstage in the theater. After moving to Los Angeles, Indiana began training with Yuri Grigoriev and it was from that moment that she knew that this was going to be her lifelong passion and career.

Indiana began studying at the School of American Ballet in the summer of 2010 and joined the school as a full time student in the fall of 2010. In August 2012 Ms. Woodward became an apprentice with New York City Ballet and a full member of the company in December of the same year. Indiana was promoted to soloist in February 2017.

Ms. Woodward is a recipient of the 2016 Lincoln Center Emerging Artist Award and 2016 Clive Barnes Foundation Award. In 2010, she won first place in the Bolshoi Ballet Academy Summer Intensive in New York City and was invited to perform at the Bolshoi Ballet Academy gala in Moscow.

FEATURED BALANCHINE ROLES SINCE JOINING NYCB

  • Apollo (Calliope)
  • Brahms-Schoenberg Quartet (Second Movement)
  • Chaconne
  • Coppélia (Waltz of the Golden Hours)
  • Divertimento No. 15
  • “Emeralds” from Jewels
  • A Midsummer Night’s Dream (Butterfly)
  • Scotch Symphony
  • Symphony in C (Third Movement)
  • George Balanchine’s The Nutcracker® (Sugarplum Fairy, Dewdrop, Marzipan, Dolls)
  • Tschaikovsky Piano Concerto No. 2
  • Western Symphony

*All ages and dance levels welcome, please contact AWB via email at: education@artwithoutbordersnyc.org

**Zoom link and password provided upon registration

AWB Virtual Program: Series of classes in Ballet and Bournonville method with Ask la Cour, Principal Dancer with the New York City Ballet

Ask la Cour in Bournonville Divertissements | New York City Ballet | Photo © Paul Kolnik

Intermediate-Advanced level students*
Friday 3 July at 12:00pm EST | 90-min. session 
Wednesdays at 12:00pm EST: 8, 15, 22, 29 July  | 90-min. session 

$15 single class | $68 package of five (5) classes | $140 package of ten (10) classes | virtual class via Zoom** includes classic barre and technique with individual corrections.

Note: students registered to attend 5+ virtual classes are able to apply to AWB Mentorship program. Package of ten (10) classes allows combination of two (2) different teachers with five (5) classes each, part of AWB Virtual Program Summer – Fall 2020.

Ask la Cour is a principal dancer with New York City Ballet. Originally from Copenhagen, Denmark he studied at The Royal Danish Ballet School for 8 years until he became a member of the company at age 16. While there he performed many featured roles in the Bournonville repertoire and became proficient in the Bournonville technique. Other accomplishments at The Royal Danish Ballet were his portrayal of Lenski in John Cranko’s Onegin.

Following his desire to expand his artistic horizon, Ask came to NYC in the Fall of 2002 after an invitation from New York City Ballet’s Ballet Master in Chief, Peter Martins. He enjoyed learning the depths of Balanchine’s repertoire, his most favorite being the Neoclassical ballets, The Four Temperaments, Stravinsky Violin Concerto, Monumentum and Movements to more classical pieces including, Diamonds from Jewels, and Tchaikovsky Piano Concerto No. 2. He also had the pleasure to work with choreographers including Christopher Wheeldon, Alexei Ratmansky, Benjamin Millepied and Lauren Lovette. His dance career has brought him around the globe where he has had the pleasure of performing in some of the biggest cultural institutions including, the Royal Opera House in London, Palais Garnier in Paris, and Mariinsky Theater in St. Petersburg to name a few.

When he is not working with the company, Ask enjoys pursuing choreographic projects, collaborating with various classical and contemporary artists and composers. Most recently he choreographed to Jane Antonia Cornish’s composition Into Silence. He has received several awards and grants, most recently in 2013 a grant from the Vibeke Roervig Foundation.

He feels driven to give back to artist and the community at large whenever possible, performing in numerous benefit events throughout his career and has co-produced a couple of them as well.

FEATURED ROLES SINCE JOINING NYCB

GEORGE BALANCHINE
  • Brahms-Schoenberg Quartet (Second Movement)
  • Chaconne
  • Concerto Barocco
  • Cortège Hongrois
  • “Diamonds” from Jewels
  • “Emeralds” from Jewels
  • Episodes
  • Firebird
  • The Four Temperaments
  • Ivesiana (In the Inn)
  • Kammermusik No. 2
  • A Midsummer Night’s Dream (Cavalier, Demetrius, Theseus)
  • Monumentum pro Gesualdo
  • Movements for Piano and Orchestra
  • George Balanchine’s The Nutcracker® (Cavalier, Hot Chocolate, Dr. Stahlbaum)
  • Orpheus
  • Prodigal Son
  • Robert Schumann’s “Davidsbündlertänze”
  • Serenade
  • Slaughter on Tenth Avenue
  • Stravinsky Violin Concerto
  • Symphony in C (Second Movement)
  • Tschaikovsky Piano Concerto No. 2
  • Tschaikovsky Suite No. 3 (Élégie)
  • Union Jack
  • Vienna Waltzes
  • Walpurgisnacht Ballet
  • Western Symphony
  • Who Cares?
ROBERT BINET
  • The Blue of Distance
AUGUST BOURNONVILLE
  • Bournonville Divertissements
BORIS EIFMAN
  • Musagète
JORMA ELO
  • Slice to Sharp
PETER MARTINS
  • Barber Violin Concerto
  • Concerto for Two Solo Pianos
  • A Fool for You
  • Fearful Symmetries
  • Morgen
  • River of Light
  • Romeo + Juliet (Friar Lawrence, Lord Capulet)
  • The Sleeping Beauty (Gold)
  • Swan Lake (Von Rotbart, Hungarian, Russian)
  • Thou Swell
  • Todo Buenos Aires
ALEXEI RATMANSKY
  • Russian Seasons
JEROME ROBBINS
  • Circus Polka
  • Concertino
  • Fanfare (Double Bass)
  • The Four Seasons (Janus, Summer)
  • Glass Pieces
  • The Goldberg Variations
  • In Memory Of …
  • In The Night
  • Piano Pieces
  • Les Noces
RICHARD TANNER
  • Episodes & Sarcasms
CHRISTOPHER WHEELDON
  • After the Rain Pas de Deux
  • Carnival of the Animals
  • Polyphonia
  • This Bitter Earth

ORIGINATED FEATURED ROLES IN

  • Lauren Lovette: Not Our Fate
  • Peter Martins: Bal de Couture
  • Benjamin Millepied: Double Aria
  • Justin Peck: The Most Incredible Thing(The King)
  • Alexei Ratmansky: Voices
  • Christopher Wheeldon: After the RainShambards

*All ages and dance levels welcome, please contact AWB via email at: education@artwithoutbordersnyc.org
**Zoom link and password provided upon registration

“It is not so much upon the number of exercises, as the care with they are done, that progresses and skill depend.” 

August Bournonville